What's Going On: Conduction, Improvisation, and the Culture of Structure Julius Hemphill: Compositions for Jazz Orchestra and Electric Circus: “Nublu”
Fri, Oct 25 at 7:30pm
Doors: 6:30pm
Advance tickets can only be purchased online-we do not sell advance tickets at the venue. Refunds are not available within 48 hours of the event. Tickets do not guarantee seating during shows at the Royal Room.
We are now accepting reservations for diners! After purchasing tickets, please visit the Reservations page to book a table. Table reservations require advance tickets, and are only for guests who plan to dine at the Royal Room. We do not take reservations over the phone.
Seating for non-diners is first come, first served. Please arrive early to guarantee a seat!
The Royal Room is All Ages until 10pm.
Julius Hemphill: Compositions for Jazz Orchestra
Selected works for large ensemble with members of The Royal Room Collective Music Ensemble and guests. Featuring Brandon Ross, Electric Guitar, Vincent Chancey French Horn, Sara Schoenbeck Bassoon, Neil Welch Baritone Sax, Hans Teuber Woodwinds, Jacob Zimmerman Woodwinds, Alex Dugdale Tenor Sax, Cuong Vu Trumpet, Wayne Horvitz Piano, Geoff Harper Bass, Eric Eagle Drums.
Electric Circus: “Nublu”
Electric Circus celebrates the NYC Nublu residency. Butch Morris and the conduction of groove. With conduction by Stephanie Richards, Brandon Ross and Wayne Horvitz, featuring Abbey Blackwell Bass, Andy Roth Drums, Sheridan Riley Drums, Greg Campbell Percussion, Kate Olson Woodwinds, Neil Welch Baritone Sax, Greg Sinibaldi Woodwinds, Alex Guy Violin, Ray Larsen Trumpet, Beserat Tafesse Trombone, Naomi Siegel Trombone, James Falzone Clarinet, Vincent Chancey French Horn, Sara Schoenbeck Bassoon.
Conduction, Improvisation, and the Culture of Structure
Celebrating the legacies of Lawrence "Butch" Morris, Sun Ra, and Julius Hemphill.
Presented by The South Hudson Music Project. Co-produced by Earshot Jazz, Nonsequitur, Seattle Modern Orchestra. Major funding from The Live Music Society. Additional support from Seattle Office of Arts and Culture, 4Culture, ArtsFund/Paul G. Allen Family Foundation, and The Raynier Foundation.